Unifying Haptics
Gestures and scripts, narrated physicality made into humour.
The humour is made of the physical; the character stops and looks.
The character stops and looks, accusing
or bewildered
as a piece of inert matter apparently mocks their existence.
The inert matter is willful
accidentally animate
suspiciously willful
and yet in every instance of scrutiny it
the thing
it appears as its appearance
an object
a thing
inert matter
which thwarts one’s gestures
and rewrites the desired narrative.
It is in narrative thwarted that we find humour arising.
It is in the humorous lubricate of frustration that narrative begins.
Unifying haptics, holding hands.